My Growing Body Of Work

There is something that has occasionally been on my mind; my increasing “body of work”, or my “oeuvre” to be more professional. I consider myself a working artist. And although I sell my fair share of paintings, I find that sometimes my creativity outpaces my output, so to speak.

When this happens, I will sometimes try to curb my creativity a little. This only works for a short time as apparently I tend to be somewhat compulsive about creating art. I then try to focus more on getting my work “out there”. But as any artist knows, this isn’t always the answer either. I often wonder what to do. What do other creatives do?

The three photos above, are from a series of paintings I had done that I had entitled “Horse Power”. It was a series of large (3′ x 2′) oil paintings I had done of vintage automobiles and horses. I did sell these three. Yay! I think that having made them as a series and having marketed them as such may have helped. I had sold two of the horse paintings from this series as well. I want to mention here that I by no means painted them specifically to market them this way. I love and appreciate both horses and vintage and other cars, so painting them is something I both wanted to do and enjoyed doing.

Above left to right are “Axle”, (who has a bitter sweet back story that you can read on my Etsy add for him), “A Nice Day for a White Dress”, and “Basil” (who is a personal favorite of mine). In the second row, left to right are “Sade” “Fire” and “Sherman” These pieces are all 3′ x 2′ and are ready for their forever home. They can be purchased by clicking on “shop” which will bring you to my sale site. (A little side note; I noticed that when viewed on a cell phone, that the above photos are not in the same order as viewed on a laptop. There are three rows on phones so in that order they are; 1st row; Axle, A Nice Day For a White Dress, 2nd row; Basil and Sade, and 3rd row; Fire and Sherman).

So, selling as a series is one option, Another is getting your inventory together, and having enough prints made to set up a tent at open air festivals and markets. Every aspect of which, is extremely time consuming, and may possibly add to the issue. :/

I want to say, that the other reasons I personally want to sell more of my work. (aside from feeding my family, heheh ), is space, which I only have so much of. And the fact that, (and I don’t want to be morbid), but I won’t be around forever and I don’t want to leave things for my family to have to take care of. But also, and this is a big one for me, and it’s not ego, I want people to not only see, but to personally have and enjoy my work. It’s important to me, I care about it, and I’d like others to do so also.

I have heard of other artists who have “liquidation” sales. I find this term cheapens our work. I’ve also heard of artists who will actually throw away or even destroy some of their work to “make room” or “move on to their next projects”! The thought of this is beyond distressing to me! One thing I have done in the past that helps open up space, is to have my work “on loan” at local venues. I’m sure there are other options that may be of interest to artists. If you have any other ideas, let me know, so we can share!

Thanks for stopping by, see you next time!

From The Easel; Steps of a Commissioned Piece

Having had some dental issues in the last few weeks, I didn’t get a chance to post anything yesterday. But as they say; “Better late than never”! I have wanted to post a series of photos that chronicle the making of a painting for some time. About a year ago I was given a commission and I had photographed many of the stages of creating it. I feel that this is a good representation of the making of a commissioned piece. So here I give you, “Mack”.

I was asked to create a painting that represented something that is very important in the lives of this family, for their young son. The father is a truck driver, and their son is crazy about trucks. Other than that, I wasn’t given anything else in particular to go on. I found this to be a good thing as it gave me a little more free reign to design this heirloom for them. As Their son was still quite young, but kids grow quickly, I decided that it should be playful, yet be something that he would be OK with having for some time as he grows older.

In this first image, you can see where I had lightly sketched in the body of the truck, and the beginnings of aspects that would make it feel more substantial. I then added some paint to begin “fleshing it out”.

Blocking in the background gave me an idea, and feeling of place.

In this photo I began to paint the sign on the side. As you can see, I left highlights where the metal of the truck bumps outward. I thought at this point to leave parts like this to give the sign a somewhat “worn” look.

Here I began to block in different areas to give it more depth.

At this point I started to add some fun elements. As you can see, the truck is now hauling a load of candy, peeking out from under the tarp at the top of the truck.

In this image I’ve blocked in a layer of under painting to begin building on and continue giving the painting more depth. I also added the name of the truck.

In the above three images I had begun to give the truck more realism, filling in the tires, and adding highlights to the fenders.

Here I’ve added more candy, and lights to the top of the cab of the truck. At this point I also began changing the walls where the “dig” was, showing that this was a candy “mine”.

Things were coming together, and I then added more whimsy to the over all look of the sign.

Here I added more highlights, and color for depth, as well as added the name of the young boy to the door of the truck.

After adding some work on the back and fore ground,(and adding a shadow of a man driving), this painting was finished!

It is always a bit nerve wracking to do a commissioned piece. You never know if the client will be pleased with the finished product. But I’m happy to say, they loved it! I hope you enjoyed seeing how this painting came together, and I hope to do more like this in the future. See you next time!

From The Pallet and Beyond

The following artworks have a “space” theme, and in honor of the 50th anniversary of the moon landing I thought this would be an appropriate post. (At the end of this post, check out the photos my Dad, Anthony V. LoGiudice, took of our small black and white TV of the actual 1st moon landing back in 1969!)

There are many creative tools available to artists now to enhance an art piece or change it to make it even more exciting. I’ve discovered with abstract in particular, the use of some of these tools not only gives another perspective of a piece, but brings out or highlights aspects that had previously been hidden. Hidden or simply not as noticeable. I like some of them as much as the originals! With that in mind, I give you some original works along with some enhanced versions. And I hope to be producing prints of both the originals and the enhanced versions to add to the site for sale in the near future. These pieces would look great alone or as sets to “enhance” your space. And like an abstract art “Where’s Waldo”, you can look closely to see the things you may not have noticed, and let me know which “versions” you like. Enjoy!

“Interstellar String Theory l”

“Interstellar String Theory- Classic”

“Interstellar String Theory- Red”

I’m adding this little 2 1/2″ x 3 1/2″ chibi of David Bowie as “Major Tom” in this group because… space. Heheh.

(I’ll be making various chibi ATC, -Art Trading Cards to sell at upcoming comic cons.)

“Crystal Star Cave Explosion l”

“Crystal Star Cave Explosion- Classic”

“Crystal Star Cave Explosion- Dark”

“Crystal Star Cave Explosion- Red”

Breaking Through Daylight l”

Breaking Through Daylight- Classic”

Breaking Through Daylight- Red”

“The Jetsons l”

“The Jetsons Red,” “Classic” and “Dark”

Photos taken by my Dad, (who was an amateur photographer), Anthony V. LoGiudice, from our little black and white television, on July 20th, 1969 of the very first Moon Landing. With astronauts, Neil Armstrong and Edwin “Buzz” Aldrin. (Oh, and the president speaking to them from the white house- inset.)

Thanks for joining me, see you next time!

Challenge Me

From time to time I think most artists will encounter a block, much like writer’s block, or as I like to call it, white canvas syndrome. If you make a living with your art, there is nothing more frightening than that endless blank canvas or paper waiting… Personally to combat this stomach knotting, twilight zone of emptiness, I’ve used various tricks, tools, incantations, whatever you want to call them, to get back to a more productive zone. I’ve done things like just go and sit in my work space, or studio if you will, and go over old ideas I’ve written about or tried, looked through art books, and more currently gone online for some free inspiration. Sometimes I write up a list of categories, such as wildlife (the animal kind, sadly I have none of the other), or just simply goof around looking through photos I like. But there is one more concrete tool that I have found to be useful, and that is the “art challenge”. In particular ink challenges, or more specifically “Inktober”. Created in 2009 by Jake Parker, an ink artist who was looking for something to ” improve his inking skills, and to develop more positive drawing habits.” Something I know I can always use, as there are so many distractions on top of real life needs, that it becomes very easy for weeks to slip by without creating something, and for the old ferrules to get rusty.

The prompt for this was “graceful”.

Therefore its crucial to find something that not only gets us off of our sorry excuses, but to also find something that is fun, challenging and engaging. For myself I have found that Inktober fits the bill. The premise of Inktober, is this; For each day of the month leading up to Halloween, there is a list of “prompts” . They don’t always have to do with Halloween, but generally they do. But it isn’t a rule or anything that you have to interpret the prompts that way either. Again it is meant to get you excited about creating something. It’s always interesting to see what other’s take is on each prompt. There is a massive range of ideas, styles, and talents submitted each year. I prefer not to look at other’s work for the day, so as not to be influenced. After you have drawn your idea, you upload it to the site on Twitter with a few different hashtags. I have even been surprised myself by what interpretations pop out of my head, heheh. They often take a completely different turn as I work on them, than what I had planned.

“Deep”

I used to use pen and ink quite a bit, back in the day in the “purest” form. Actual pens with removable nibs and small bottles of ink. There was something almost sacred about picking up these supplies, lining them up on my art table and working like the old masters did, learning by trial and error how to use this medium, careful not to splotch my work. Most of the time these were smaller pieces, and were very detailed. Like any time I am working, I tend to lose track of time and sometimes it feels almost mystical. I normally use either oils, or acrylics, mostly the latter lately. So it’s fun to take a month and work in a completely different medium. I highly recommend Inktober. Since Mr. Parker started it back in 2009, Inktober has grown exponentially into a massive worldwide endeavor. I’m posting some of my Inktober challenges for you here to see for yourself the strange, interesting and sometimes odd places it will take you. Enjoy, and I hope you take up the challenge. See you next time!

“Furious”
I did this as a “mash up” of two day’s of prompts, “trail and juicy”. I thought it was pretty clever, heheh.
“Ship”
“Squeak”
Another “mash up” “Climb & Fall” (It works both ways.)
“United”
“Mask”

“Drain”
“Poison”
“Tranquil”
“Precious”
“Angular”
“Bottle”
“Whale”
“Muddy”
“Prickly”
“Chop”

PS Please take a look at my site on Etsy- oMordah etsy.com/shop/omordah for originals and prints of my work. There is a price range so everyone can have some sweet art 🙂

Born Out Of Time

Is daydreaming a prerequisite of being an artist? So many I have known, and including myself tend to have this trait to one degree or another. For myself it is a necessary requirement of the job, letting my mind wander, and rest, gives me a clearer vision of what I want to do. As well as takes me on impossible flights of fancy, (which may not always be a good thing, ) but it is essential.

One thing I’ve always daydreamed about is being part of, what feels like to me, some of the more important times and births of genres in the history of art; The Renaissance, the time of the Impressionist, the Abstract painters of the 20th century, (I only missed that one by a few decades), as well as the coming of age of comic art. To have been included in one of these circles of great minds and talents would have been an incredible experience.

The era that I’ve always felt most drawn to, almost as if I had been there, was the time of the Impressionists. What an exciting, brave romantic time of a burgeoning artistic genre and group of artists to have been part of!

It was bold, and difficult. They were mocked, and bullied by fellow artists. The official royal salon did not accept them. It was most likely when the terrible lable of “starving artist” came to be, and most certainly was true in many cases. Because they were creating a new, often maligned artistic style, it was a constant struggle. Often even amongst themselves, the impressionist artist couldn’t always agree about what was “acceptable ” and what was just “too far”.

Yet, with all of that, how exciting it must have been! They were rebels, outsiders, but passionately believed in what they were doing. They fought for their art, sometimes living in drafty, damp quarters, with little food, (hence the “starving artist sobriquet “). Often in between sales, or the help of patrons, they lacked art supplies, making what they could and reusing canvases to paint new works.

This may all sound pretty rough, and I imagine it was. But there is that wistful charm about it. Somewhat like looking back on our own “glory days”, growing up. There was magic in the struggle. It makes us who we are. It made them who they were, and they were true to themselves.

I imagine, living in an attic studio in old Paris. Lead lined skylight covering most of the ceiling, pans catching the rain where it drips down from the old, cracked caulking. It’s chilly, but there is some warmth from the old stove in a corner. A large bank of lead lined windows, looking out over Paris. Easels, canvases, and brushes everywhere. And being too thin, but still young, strong and dreaming of people loving your work. Meeting up with other like minded painters, giddily talking about what you’re working on, and dreaming of what’s to come with this new way of painting. Complaining of the fools who don’t quite get it. Knowing, feeling to your bones that you’re on to something great. That all the hard times will be worth it. Maybe not knowing that these are the glory days, but maybe a little part of you hanging on for dear life to it, because it is “something “, something important. And it was.

From The Sketchbook; Undone

Throughout my career as an artist, there have been some pieces that for one reason or another, I just never completed. Thinking on it recently, and looking over some of these pieces put by the wayside, I see value in them. I learned some things from them, some nuance, how I felt a line here or there was good the way I handled it in that particular instance. And even though at the time I chose not to complete them, they don’t look bad, in their unfinished, almost forgotten way. So here, I give you; “From The Sketchbook Undone.”

Just a couple of parrots, from a class I taught.

She looks like a “Cassandra”.

I actually did finish this one, but I kind of like it unfinished as well.

I had all intentions of colorizing this…

A “study” I may someday paint, or not…

“Faeries”

I would still like to complete the above sketch. It’s a sweet moment of my younger daughter and one of my grand daughters, playing with Faerie wings at a local farm where they had put out things for the kids to play with. They had set up doors with plants and flowers on them in a small grassy area. It’s a sweet memory, and I know it would make a nice painting. But again, I still like the unfinished sketch, where I feel I had captured the moment well, and was happy with the results.

And just a guy on his bike, heheh

I hope you enjoyed this, another peek into my sketchbooks. Have a great week, see you next time!