The Future Meaning of Art

Throughout history artists have been compelled to create and recreate the beauty and pathos surrounding them in their daily lives. We are often awed by the discoveries of art found on walls and in caves in remote and nearly inaccessible places around the world. They are stunning and mysterious.

A personal favorite of mine are the caves of Lascaux. The beauty of these works of art is astounding. And we wonder what they were for, what they meant to the ancients who went deep into these caves to create these incredible works of art. Often in dark and not easily accessible places. One of the images of bulls, in the “Hall of Bulls” is 17 feet long and almost as tall. This meant that these ancient peoples had to build some kind of scaffolding. This was important to them. They were cognoscente of a future. Or was it just that inborn need in some of us, at it’s most basic, to draw, or paint the things that grab our attention? I feel it’s not just a mental thing to recreate or create, it’s physical.

Around the world we see examples that have transcended time. And then those that have been lost to evil and misguided men, such as the once World Heritage Site, and treasure I had dreamed of seeing in person, The Buddhas of Bamiyan. (My heart still aches over this.). I was born a little too late for the “hippie silk road”, and now they are gone. There are other astounding examples of ancient Buddhas around the world and I hope they never suffer the same fate.

The history of art is complicated and vast. And now during this world wide pandemic, one side effect has been the staggering amount of people showing up with their art. I am on a well known platform, and made a separate one to post and highlight my artwork. In the last year, I feel that the amount of people on this platform alone has grown astronomically. How does one not get lost in the noise? The styles, forms and levels of skills, knowledge and choices is endless.

Then there are what might be considered fads. One example, is “pour painting”. I suppose every new form of art has to be scrutinized to gain acceptance. Today most of us think of Impressionism as a classic form of art. But when it first started to become popular, not only were the practitioners of it, considered poor artists, but they were banned from exhibiting them! I have to say, that although I think pour painting looks like it might be fun to try, and some of the finished products look pretty good, it doesn’t sit well with me.

There are a few things about it that bother me. First and foremost, I find it unacceptably wasteful. In most cases, more than three times again amount of paint is used to make the picture. This extra is then literally poured down the drain. As someone who has tried diligently over the years to find better, safer, and more environmentally safe ways to create my art, I find this distressing.

Normally I would say that ‘there is room for everyone’. But during this pandemic between unemployment and social media, the ‘everyone’ has grown exponentially. The ratio of art lovers and buyers to artists has always been a problem, but now it may be a crisis. This could force artists to do their best, or it may be forcing the truly great artists out of the game, leaving only the mediocre.

Then there is the fact of having worked, suffered blood, sweat and tears, and upheaval to continually improve my art and there are now thousands of people using this simple, wasteful technique, and forming a further glut in the artworld. There will always be some artists better than other artists. And as an artist, I learned a long time ago to only compete with myself. I know when I’m happy with it, and that’s what matters. But it is getting harder and harder to be seen.

I wonder what the “world of art” will be like in the distant future. I hope that despite the glut of mediocre artwork and fads of today, that the great artist’s legacies of our time will shine through and future people will be in as much awe of what they have done, as we are in awe of those past great artist.

Thank you for reading this. Please visit my art IG page susanm.l.mooreartist. DM me if interested in any of my work, or if you would like to commission a piece. I would love to work with you!

Stay safe and well.

Day Tripping: Discovering Obscure Art Exhibits, Curiosities, and “Getting Out Of Dodge”.

My Dad used to joke when my mother was in a slump, that all he had to do was “shake the car keys over her head, and she’d be ready to go”. I guess I must have inherited some of that from my mother. It may have to do with some innate need. But whatever it is, as an artist and “creative” (to use a recently popular term), it is also necessary to recharge and get a fresh perspective. And sometimes it’s just nice to “get out of Dodge” as my son says.

An economical, and often more convenient way to accomplish this, is to go on day trips. This is a personal favorite, as it gives me that new perspective, without breaking the bank, but also without all the trappings that go along with a longer trip. I come home refreshed and hopefully a little inspired.

Recently on one such day trip, we headed out to a small village about an hour away from us called Cherry Valley. After an online search we had found an announcement about a “Sculpture Trail” there.

After a pleasant drive over hill and dale, we arrived in the pretty little village of Cherry Valley. We normally visit there about once a year. There are some neat places there to visit, but first we wanted to check out the trail. We spotted it almost immediately upon entering the village. We both thought the same thing, “This is really small” Heheh. (We soon realized that this was just part of the “trail”, and later discovered other pieces throughout the village.) The above photo shows an archway built for the “trail”, so we were in the right place, and the arch was beautiful. Unfortunately, I didn’t get a photo of the placard with the artist’s name. But if you’re in the area, I hope you get a chance to check it out. It runs through October 8th 2019.

I particularly liked this piece titled; “Eventual Artifact” by Devra Freelander and Gracelee Lawrence. ( At the top there is a hand holding a smart phone.) What will future generations think of the things we will leave behind?

This piece is by Marc-Anthony Polizzi. It kind of reminds me of skyscrapers rising over the landscape.

This small piece had no placard, and is also located in the same small garden area adjacent to the Cherry Branch Gallery.

The two pieces above, are located on the lawn of a local bank. I really liked the concentric circles on the one on the right, and the shadows created from the one on the left.

This piece titled “Red Waterfall” was on the lawn of the Post Office. It has a bit of a “steampunk vibe”.

There is also a gallery that had some very intriguing sculptures in the windows, but sadly were closed when we were there. But I did get some photos through the windows of these beautiful pieces.

The above objects were found in a local antique store. As my daughter says these skulls/skeletons “have a very oddity-esk feel to them.” We also stopped at a cute building housing a used book store that is like the Tardis, bigger on the inside, heheh.

I definitely got a “different perspective”, seeing all of these fantastic works of art, and talking with the people working there. And we got back in time for me to do a little painting of my own, some figurative abstract. I hope you’ve enjoyed this little “day trip” and get a chance to head out on some of your own. Thanks for stopping by. See you next time!