No, not that crossroads. Though the “devil is definitely in the details”. Being at a crossroads with your art, or writing, or whatever creative things you do, is always a nail biting, angst ridden moment. And hopefully that’s all it is, a moment, a short period of time in your life where you may be questioning your creative ventures, your style, inspiration, or if you even want to continue. It can be a confusing and scary time.
OK so zombies may not be the best example, but they are scary and confusing.
In the course of my career as an artist, I’ve had many of these crossroad moments. In particular ones that in hindsight seem to coincide with that seven year evolution we all go through, uh, every seven years. (Proven, look it up). Not that I don’t have other “moments” in between, because I do, and have. But the big ones do fit that pattern. Currently I am going through it again. I should have realized as I have had a hard time concentrating, and finding inspiration, or ambition. At first I blamed it on this last, long year of Covid19 and isolation. You have to feed the beast, and being home all the time is not conducive to that. Hence my thinking that that was the only reason. It is a huge reason, but not the only one.
Recently, one of my adult children mentioned during a conversation about eye glasses, that she was “old” and her “eyes are sensitive now.” What the what?! She’s 35. And when I said that ‘I never really felt old until this year’, she sent a shocked face emoji. Humm. At any rate, that got me pondering, as us old folks will, that perhaps it isn’t just the plague causing my lack of inspiration. And doing some calculations, I saw that yes, I’m starting a new seven year cycle. I’ve embraced and been known as being an artist, nearly my entire life. If I don’t paint, or sketch, then who am I? Just another faceless person in the crowd?
Don’t worry, I haven’t gotten to the point of no return. As a matter of fact, I never really stopped painting or sketching. It just hasn’t been at the same level of intensity. I have been feeling somewhat directionless and all over the place. I’m sure I’m not the only person feeling this way. It has been a tough year for everyone, and many of us must be feeling at loose ends.
As with everyone else, I have been impacted in ways I didn’t foresee. Plans, important plans have had to be put on hold, possibly for a few years, possibly to never happen, and this has been difficult. Many toxic things happen on a daily basis in the world. As an artist, in a family of artists, I know that the impact of this toxic world hits us deeply, making creativity that much harder to attain. It’s hard not to be affected. It’s hard not to engage, or see it. But for us creatives, it is vital that we learn to do what we can to help, and not absorb all the toxins, because that causes us to become immobilized. Add to that the seven year metamorphosis, and you can see my dilemma.
As I sit here writing this, it feels a bit cathartic, like getting it out, writing about it helps. Yes, I have been painting and drawing things aimlessly, but maybe that’s good. I’m still working at it, and perhaps after I’ve had some time to just play around with it, something will kick in, and I’ll know which direction on that crossroad to follow.
Thanks for visiting and reading my blog. Stay well. If you are interested in any of my paintings or would like to commission a piece, please DM me, or go to my Etsy site, at etsy.com/shop/omordah I’d love to hear from you!
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It seems odd to me, that even at this stage of my life, it still takes me some time to realize things, or to have an epiphany about something that should have been pretty obvious. It could be that I’ve always been more of a leap before you look sort of person. Something that has gotten me into hot water and situations that unfortunately take a lot longer than the leap, to climb out of.
In April, due to covid19 and the situation I found myself in at my place of employment, I had decided that living outweighed the very real threat of the other alternative of staying there could. So feeling pushed to make a choice, I chose life, and never went back. I say it this way as I don’t feel that I quit, I feel I was forced to make a drastic decision. But this isn’t what this post is about. It’s about being aware. Taking the time to think.
“When” I create my art, has always been a tricky subject. Life has ultimately decided for me the when in most instances. For example, as a young mom, although I would have preferred to stay home, reality stomped its often large, dirty boot, on my plans. As they say, the kids had a nasty habit of eating, and wanting to wear clothes. So I took whatever jobs I could get. For my husband’s work, we had to move, a lot. This meant I had to start over every time. From finding a home, to packing, to getting the kids enrolled in new schools, to finding new doctors, this was always on me. Add to that, finding work, and then working. Well when would I cram in art? Art which is the very air I breathe.
Somehow, I always found a way. One of our first apartments, was a two family flat. We were upstairs. Each flat had a bay window in front, and attached next to it was an enclosed porch. It really was a pretty little apartment. On one side of the bay window, one of the windows opened on to the porch. My boys were young then, and leaving paints, and mediums around wasn’t such a good idea. When you stepped out of our apartment door, there were stairs that led down, and a landing that led to our front porch. This porch proved to be the ideal place for a tiny studio for me to work. Most of the time, I would simply open the bay window, and climb over into the porch. Now that I think of it, I’m not exactly sure why I didn’t just go around. Hum. It must have been that once my youngest was napping, or they were settled watching TV, it was easier to just clamber through the window. My little porch “studio” worked well also because I could keep my eye on the boys while I painted.
But that nagging question, of “when”, still dogged me. When we first moved there, I set up the studio, but I had my boys to care for. My husband had a job painting overpass bridges. This job often took him away for weeks at a time, and we still needed more income. I had made a few friends, and with their help, (watching my boys), I was running around going on job interviews. (At this time, non of my friends worked, so they thought I was bonkers.) And with all of this, when would I find time to paint?
Around the same time that I finally found a job, (which came with it’s own craziness), my husband got accepted into the Post Office. However, he had to pass a test where he was required to know every address in the city, and it’s zip code. I kid you not. He was given cards to study. So we would go over them relentlessly every spare moment, for weeks. Thankfully he got the job, but with two boys, and the hope of one day owning our own home, I still needed to work. Again his job required odd hours, He had to start out working nights. This was tough on all of us, but it allowed me to work. Our oldest was in school, and that left the little one. So not being able to find anyone to watch him, (this was back in the day, not many daycares), my husband “watched” him. That’s another story.
When I got home, I cooked and cleaned, cared for and played with the boys. I had to be really organized, but I was young, and had a lot of energy. I set up lights in the studio, and would work on a painting two evenings a week for an hour or so after they went to bed. This is just one example of how I fit in the “when”.
Each time we moved, with each new job, and each new situation, and with each new child, I found a way to fit in the “when”. But I was always rushing. Rushing through getting kids ready for school, through work, rushing through being there for my husband, through family outings, through life, and through working on my art, and honing my craft.
This brings me to my “epiphany”. After I left my job this past April, I found it hard to concentrate on my artwork. I was going at my usual pace, and getting some things done, but considering I now had “all the time in the world”, my kids are grown, I’m basically on my own, and I have set up a nice studio area, it was weird, I was struggling. Not really accomplishing what I thought I should be.
Then it hit me, that the rushing and speed that I kept up for decades, that, that was my pace! It was the force that kept me going, that made it almost a desperate act to create. Not “having the time” is what forced me to make the time.
Let’s not also forget that what is happening in the world right now, the pandemic, and how the daily fight for our very lives politically, socially, and mentally, is affecting all of us.
It took me months to settle enough after leaving the job, to really work on my art and writing. That feeling of being lost and alone, (which is not new, but is now affecting the entire world), caused me to hesitate, and falter. Then of course there is “social” media, which has been and is getting darker by the day.
For what they call creatives, (a fairly new way of describing artists, and craftspeople, which for me the jury’s still out on), anyway, for creatives like myself, it can render those who have historically been the most sensitive among us, mute or frozen. That’s another loaded word, “sensitive”. It can imply that the person is weak. Nothing could be farther from the truth. Being sensitive means aware, means feeling, and caring. Its often what pushes us to create, to make others feel, to envision great things, something, anything. And that, that takes courage.
Now I have this other dilemma, to reinvent my pace. Sometimes lately, I feel like I have too much “when”. I need to balance it more. But the state of things makes that harder now. I hike or walk every day, and that’s good. But I miss seeing my family, easily, or at all. Every move has to be carefully weighed against the possible danger, as I am high risk. I also live in a small town, so there was never a lot going on to begin with. It’s gotten to where, when I stopped at my local library, (I put books on hold and they brought them out to me), it felt like an adventure. Having to have my books brought out to me shouldn’t have been such fun! I rarely see people that I don’t live with, and Zoom, or facetime is difficult for someone with anxiety issues.
Add to all of this the fact that for the first time in my life, I began staying in bed later and later. I was definitely faltering. And it wasn’t that I was actually sleeping more, oh, no, I was checking the social media beast. The beast that will suck up half your day when you fall down one of the cajillion rabbit holes that it opens to you. It left me feeling even worse. I couldn’t save everyone, or change hearts. I felt less productive, and less motivated. I had the “when”, but I was allowing the world to dictate my daily fate.
About two weeks ago, I decided that enough was enough. I set my alarm to six thirty a.m. , not to wake me, because most days I would wake around then. No, I set my alarm to remind me to get the hell up. Out of the bed. And I have been. Over the last four months, I have actually been painting steadily. But I’ve had a lot hanging over my heart, exacerbated by social media. Which I do have to follow to a certain extent, (this blog, posting my art on IG, on Etsy and FB and trying to find outlets for my art to bring in some income, which has pretty much dried up.) Since I started forcing myself back on track so to speak, I am feeling better, and have more energy. But it is a tentative change, one that I have to be aware of every day.
I know the “when” is entirely up to my whims now. This means no excuses but can also mean no pressure unless I put that on myself, say by entering competitions, or taking on commissions. Either way it will be mostly at my own, new pace. Epiphany!
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Stay safe and well, see you next time!
A few months back, I decided that I would like to participate as an artist at a Comic Con that takes place a few hours from where I am. It’s usually around March. In order to do this, I will need to have enough art pieces in various sizes to warrant paying the price of the booth area. After taking some time away from drawing, I did feel somewhat refreshed, and thought that this goal might be a good place to jump back into the “paint” so to speak. I decided to go with a favorite super hero of mine, The Flash. (I do have a few other art works almost ready for this Con, but that’s another blog.) Not being an official expert on The Flash, I of course have to go with what I am into. And that happens to be the most recent incarnation on TV. I like the characters, the actors, and the overall look of the series. (Everything except the most recent version of The Flash’s outfit. I’m sorry, but good grief. They seriously need to go back to the season four costume). I meander. Anyway I’ve begun by doing some simple preliminary sketches. (With the season four costume).
For the title of this post, I left it a bit ambiguous for the simple fact that, although, I have my subject, I haven’t quite nailed down the exact form I’d like these to take.
I haven’t had an art booth in some time. And have never don a Con. But I’ve been to a few, and I know what I have personally been drawn to.
Personally, I enjoy the whole experience, from the cos players, (sometimes myself included), to the panels, and of course the many related items to purchase.
It’s always interesting to see all of the artists. They are as varied in their art, as in their separate approaches to selling it. Many work as a team with another artist. Some are more approachable than others. There are those who reach out to people wandering around. This can be a good thing or a bad one. If it’s done in an easy going friendly way, it’s usually OK. But of course there are always those venders who just have too much of a desperate vibe. It can be awkward, and is usually a turn off.
But for the most part, I have found the venders to be friendly, interesting and fun. Many of the venders spend their time there, working on more pieces. This is always interesting to see. The artwork ranges from simple to unbelievably detailed and excellent work. But whatever the case, they have put their hearts and energy into it, so it’s important to respect that.
Getting back to the question mark in my title. It also covers the how and how much to charge per item, aspect. Another thing that seems to be a good idea, is to have a few different price point items. I know that whenever I go, I like to get a few small things, sort of as souvenirs. For example I almost always get a few Lego super hero or Star Wars figures. Many times these have been refined or modified by the seller. I also like to get a few small art pieces, or hand done comic books. On occasion there may be something that really catches my eye, and I may be willing to make a bigger purchase.
I’m guessing a lot of people think this way. Unless they are hardcore collectors, most people are there for a good time, and may get a few little things. But It’s also a good place to display your more expensive pieces. People may not be interested or able to get something there and then, but might consider it for a later date, or as a future gift. The question here is, how many, and what kind of small items I should have on hand, as well as larger pieces, some small hand outs, business cards, and maybe some written items that explain my process, or a little about me? People do seem to like to know something about the artists. More importantly, I feel that the venders should be relaxed, and enjoy the venue as well. Those are the ones that I like to talk with. I don’t feel pressured, and neither do they. I’m more likely to purchase something from them as well. But if I don’t that’s cool too.
As a side note, there was a young woman at one of these venues, who had written and self published some comic style books. She was asking a reasonable price. It was late in the day, and the second time we came around and had decided to get one, she gave it to us for free! As fellow artists who know what has to go into this sort of thing, (after our first shocked delight), we just felt that we couldn’t accept that, and insisted that she take payment. See, relaxed and happy, and generous. We practically begged her to take our money!
If you are an artist, writer or musician who is selling your work, here’s hoping someone begs you to take their money!
I hope you enjoyed this post, and see you next time!
How does one decide what they want to paint, or sculpt, sketch or write? When it comes to writing I have struggled with that mind numbing empty void often. Although I’ve been told that I’m a passable writer, unlike painting, writing has never come as smoothly to me. I think people who like to talk, or have “the gift of gab” tend to make better writers. I neither like to talk a lot, nor have that particular gift. I tend to stumble over my words, or think after the fact that I should have said this or that. I guess in one way, writing is easier than talking for me, because I can proofread, and change things around. Or simply because there is no one interrupting my train of thought. But still, not my best skill set.
So what of art? That empty sheet or canvas that sends shivers down the paint brush of so many artists?
Well, here’s the thing; I have too many choices of things I want to paint! And I want to do them all yesterday!
There was a time when this insatiable need to create also included miles of crochet work.( One of my grandmothers taught me when I was four years old,) and along with a stint of about ten years of embroidering everything in sight, (oh those fun 70’s), and the occasional macrame, my hands and mind were never still. Interwoven among these creations, which also included years of quilting, I sketched and painted. And somewhere within all of this, I became a wife, then mother… four times, worked sometimes two jobs, and moved house 15 times while my family was growing. But I digress. Eventually these things went by the wayside, (not the kids, heheh) but I never stopped sketching and painting. So now when I’m not working my “other job”, I mostly paint. Although I still occasionally do something else like making a macrame rope lamp, or a cheese board from a barrel lid.
As you can see, I never want for something creative to do, As for painting, the list of things I want to paint, is endless! It’s choosing one to settle my mind on that is difficult. Of the many family outings, to vistas I see on hikes, things my pets do, other animals that I love, or the fan art I would like to do, deciding what I feel like doing and have the time for, is never easy.
Every so often it is easier, as was the case with a recent painting I did of one of my daughters, or these paintings I did some time ago. I’ll get a clear feeling that this is what I want to do. But whatever the case may be, for me I’ll never have painter’s ‘block”.
I hope you liked this post, I wish you abundant ideas, and energy to see them through! See you next time!
Kota Hears A Who
I started drawing what was in my sight line when Miss Kota walked over acting curious about something she heard outside. I think her presence and stance add so much more to the drawing, don’t you?