Inktober In Review; Week Four, The Final Count Down

Hi to everyone who has been following along, and to those just stopping in, check out the last three parts of this series following my (mis+)adventures in completing an ink drawing a day for Inktober. I’ve enjoyed doing this drawing challenge for three years now, and I’d like to say it gets easier, but I still find it is a “challenge”. If only due to fitting it into my busy life, and trying to think of ideas, as well as the execution of them, often with little time. I have noticed that I do seem to get faster, and feel that my drawings improve as the weeks go by, except for a few here and there when I was truly rushed. In essence this does help me to work better, faster. The actual challenge ends Halloween Day, so for the purpose of writing this post, I’ve finished up, and will show you what I’ve come up this last week. Starting off with the prompt word; “ancient” which I really liked. Below you’ll see what I thought would be a good choice, as well as a style I more or less followed for the rest of this week. I threw in some artistic licence as well as a bit of a graphic look.

Day twenty four had me “reeling” silly pun intended. What do you draw for “dizzy”? I mean I could have gone with the obvious, but I thought about what makes me feel dizzy. Looking up at tall buildings can do that to me. A sort of reverse vertigo. I only had about twenty minutes that day so I kept it simple.

I think I had a bit of a sweet tooth for day twenty five, heheh. Uuummm, yum!

On day twenty six, I had a little more time so attempted to do a kind of silhouette of a night sky with the Milky Way.

The prompt for day twenty seven is tricky. It is simply “coat”. What?! I guess this could be considered either really easy, or “wait, what?”. But it does leave the possibilities fairly wide open. Having not felt rushed or pressured, I just played around with it for a while and felt a sort of cross between a Steampunky and a military parade theme for the coat would of course look great on a giraffe.

And what better “ride” as in day twenty eight, is there than a fun carnival one? (Which btw, I never go on.)

For the artists out there, you may have noticed that some of these could be finished somewhat more. This is all part of the whole Inktober challenge, for me anyway. Often, there just isn’t time, so you have to be able to say, ‘yeah, this is as finished as it’s gonna get.” And that’s OK. It’s great to just be able to draw along. This year I managed to do every day, (and I include the one I shredded-see episode one of this series), because although I decided not to use it, I still put a lot of effort into it. For day twenty nine, “injured” I was in a sort of “Hunger Games”, “The 100” kind of mood. Get up, you can do this!

Anyway, day thirty found me in a more gentle mood, so for the word “catch” I felt this kitty would be a cute idea.

Finishing up for the last day, day thirty one, Happy Halloween! The prompt is “ripe”. I figure that by the time we pick and carve a pumpkin, they’re pretty “ripe”. I almost went for the whole over-ripe thing, making them all rotted and such for Halloween, but then decided to go with this. Let me introduce, Moogle, and Arrgh in, “Moogle and Arrgh see a ghost”. (I did make them a wee squishy).

Wrapping up this mini series on Inktober 2019 I want to say that I am grateful to people like Jake Parker who come up with ideas like this and are kind enough to share them. Inktober has grown to include fantastic artists from all over the world! If you can, take a few minutes to scroll through the literally thousands of pieces of artwork for Inktober on Twitter and Instagram. The many artist’s works are varied and amazing! I have no affiliation to these sites, other than having tagged along, but as an artist, or just anyone who appreciates art, it’s something that shouldn’t be missed! I hope you’ve enjoyed following my attempts to produce an ink drawing a day. See you next time! (I’m not sure, but I may be taking a bit of a break for a few weeks, but who knows!?)

My Growing Body Of Work

There is something that has occasionally been on my mind; my increasing “body of work”, or my “oeuvre” to be more professional. I consider myself a working artist. And although I sell my fair share of paintings, I find that sometimes my creativity outpaces my output, so to speak.

When this happens, I will sometimes try to curb my creativity a little. This only works for a short time as apparently I tend to be somewhat compulsive about creating art. I then try to focus more on getting my work “out there”. But as any artist knows, this isn’t always the answer either. I often wonder what to do. What do other creatives do?

The three photos above, are from a series of paintings I had done that I had entitled “Horse Power”. It was a series of large (3′ x 2′) oil paintings I had done of vintage automobiles and horses. I did sell these three. Yay! I think that having made them as a series and having marketed them as such may have helped. I had sold two of the horse paintings from this series as well. I want to mention here that I by no means painted them specifically to market them this way. I love and appreciate both horses and vintage and other cars, so painting them is something I both wanted to do and enjoyed doing.

Above left to right are “Axle”, (who has a bitter sweet back story that you can read on my Etsy add for him), “A Nice Day for a White Dress”, and “Basil” (who is a personal favorite of mine). In the second row, left to right are “Sade” “Fire” and “Sherman” These pieces are all 3′ x 2′ and are ready for their forever home. They can be purchased by clicking on “shop” which will bring you to my sale site. (A little side note; I noticed that when viewed on a cell phone, that the above photos are not in the same order as viewed on a laptop. There are three rows on phones so in that order they are; 1st row; Axle, A Nice Day For a White Dress, 2nd row; Basil and Sade, and 3rd row; Fire and Sherman).

So, selling as a series is one option, Another is getting your inventory together, and having enough prints made to set up a tent at open air festivals and markets. Every aspect of which, is extremely time consuming, and may possibly add to the issue. :/

I want to say, that the other reasons I personally want to sell more of my work. (aside from feeding my family, heheh ), is space, which I only have so much of. And the fact that, (and I don’t want to be morbid), but I won’t be around forever and I don’t want to leave things for my family to have to take care of. But also, and this is a big one for me, and it’s not ego, I want people to not only see, but to personally have and enjoy my work. It’s important to me, I care about it, and I’d like others to do so also.

I have heard of other artists who have “liquidation” sales. I find this term cheapens our work. I’ve also heard of artists who will actually throw away or even destroy some of their work to “make room” or “move on to their next projects”! The thought of this is beyond distressing to me! One thing I have done in the past that helps open up space, is to have my work “on loan” at local venues. I’m sure there are other options that may be of interest to artists. If you have any other ideas, let me know, so we can share!

Thanks for stopping by, see you next time!