Playing With Mixed Media

Abstract paintings have been something that I have enjoyed doing, especially in the last few years. I particularly enjoy figurative abstract art. It produces a type of freedom to let go, as well as results in a more exciting piece to view. Having never been one to use mixed media, I have preferred getting the look I was striving for with the paint alone. But the other day, while waiting for something, I pulled up a photo of a painting I had done, and started to play around with the photo editor on my phone. I was pleasantly surprised with the results. So I decided to share them with you here.

This first piece, so far, is my personal favorite. It also happens to be one that I did, after finally deciding that this painting was as finished and refined as it was going to get. (More on that later.)

Isaiah At The Waterfall

Although the painting itself was not as spontaneous as when I incorporate the abstract elements as I paint, I do really like the outcome. And using a computer editor, gave me the chance to add to, or completely change how I wanted it to look, which was kind of fun. Below are other versions of this painting as unfinished, and unrefined, with and without embellishments. When I do a portrait of a specific person, it will go through many changes to get to where I feel it represents the person, and I am satisfied with it, as you can see from the photos of this portrait.

The painting itself went through a lot more changes after this to get to where I was good with it.

Some of these changes may appear very subtle but they make all of the difference in capturing the spirit and personality of the subject. There were a lot more stages, but I thought I’d move on to the fun part, goofing around with my phone!

Some of the tools on the app could be taken pretty far, such as this bit, where I went overboard with pixalating it. But I thought it was kind of interesting.

I threw in just a few pixels on this one, and thought the overall effect was cool. Also this was still not a “finalized version” of the painting itself.

The next three images were manipulated on the final version. And although sometimes never completely satisfied, I have to know when to say, “done.”

I hope you are all well and safe, and join me next time! (PS I know I had mentioned that I might go over some of the tools that I use, in this post. I still hope to do that in the future.)

Further Notes On Juneteenth in OTown

Continuing with the theme of my last post about having been asked to showcase my art at a local Juneteenth event, I managed to get two other paintings done in time to show along with the first, “Beautiful Son”. It’s always gratifying to be acknowledged as an artist, and this is especially so.

The second painting I did, I simply call, “Story Time”. It depicts a young father reading to his baby. Here are some photos of it, and the process of creating this piece. As you can see in the second photo, I drew up a sketch of what I had in mind. In the second, I filled in the background shape of a map of the USA, and began working on the figures. I continued from there, adding color and finishing up the figures to my liking. Once the painting was dry, I gave it a thin coat of acrylic gloss medium. This serves two purposes, it helps to protect the painting, as well as to highlight and maintain the bright colors. This is quite a bit smaller than the first painting, “Beautiful Boy”, for a few reasons, mostly concerning time constraints and having to use what I had on hand. It’s still a good size at 16″x 12″.

“Story Time”

The last piece I call, “Grace Under Pressure”. I didn’t get as many photos of the process of this as I was short on time, but I used basically the same process. I did a few quick sketches, (sorry they’re very light, but you get the idea.) From there, I then drew up an approximate sketch on the canvas, arranging, and changing features as I worked on it.

“Grace Under Pressure”

I hope it doesn’t sound egotistical, or worse, silly ( heheh), but I tend to fall in love with my paintings and these are no exception. I think I have even more so, because I feel that I have gotten to a place with my work where I feel more confident about it, as well as am able to create what I envision at a quicker pace. Not that that is important in and of itself. But for me as an artist, it is, as I feel these representations wanting out of my cranium, and am compelled to create them, to get them on the canvas. And now being at a point where I can do so more readily, makes it more of a joy and less tedious. I’m thinking that, in my next post, I may go over some of the tools I use, and give some pointers on my own process. Let me know if any of you think that you might like that, or not. (I’ll still probably do it. 😉

I wish everyone joy, and to stay safe, and I hope you join me next time!